The future of Vintage Guitars, sooner or later will require some Restoration works to either woods, finish, electronics or hardware. Although all of these things used to be made in the past in the most frugal, cheap and quick way, because they were “just guitars”, nowadays that approach is not longer acceptable, and Professional Restorations are now the only way to bring back an old guitar to its pristine glory.
It’s not always true that the right approach to a Restoration implies a radical transformation or an extensive work, on the contrary, one of the most famous quote from the Bauhaus movement, “less is more”, must be the leading light to any aspirant Restoration Luthier. In fact, when coming to restore a Vintage Instrument, it’s fundamental to determine which works are absolutely needed in order to bring back the guitar to professional use, and which others can be avoided, thus preserving the original instrument’s patina, age and vibe.
For example, refretting a maple fingerboard with plenty of vibe, divots, and beautifully worn in finish which fiercerly shows its age, will imply a particular approach, and the right Luthier will preserve all of that. If the Luthier you’re talking to will tell you that “board MUST be planed” and sanded flat to be ready for refret, just run away. There’s no need to do such a thing, and it’s instead important to preserve that story and vibe of the guitar.
That is why at ToneTeam we spend a lot of time discussing with the customers what their expectations are, and in which way to fulfil them, doing our best to reduce the actual works to what is strictly needed.
When Rudy Pensa asked to the ToneTeam to take care of the Restoration of some of the guitars from his Vintage Collection, the aim of the works has been exactly to bring the guitars back to their initial appearance, replacing the non original parts eventually found, while preserving the integrity of the original parts and elements when present.
Today, for Vintage Vault, we’re happy to present a gorgeous guitar, a late 1958, January 1959 neck dated, one piece swamp ash body with Blonde finish.
1959 Fender Stratocaster Blonde Rudy Pensa – serial #30916